<div class=Bucharest to host its first ever CowParade
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Bucharest to host its first ever CowParade

Wednesday, January 19, 2005

Bucharest, the capital of Romania, will become the first southeastern European city to host CowParade.

Between June 1 and the end of August this year, the city will be flooded by herds of decorated cow sculptures, exhibited at well-known landmarks, such as The Palace of the Parliament, Europe’s largest building, as well as on the streets and outside metro stations. Over 3000 local and international artists will participate in the event, decorating more than 100 life-sized fibreglass cows. The decorated cows will feature Romanian and Bucharestean themes, as well as issues related to international city life.

After the event ends, all the cows will be auctioned off, with the proceeds donated to the Special Olympics Romania, a charity helping athletes with mental disabilities. The Bucharest CowParade is organised by Event Horizon, a Romanian marketing consultancy.

CowParade, which was first held in Zurich in 1998, has been held in 22 cities in 5 continents and is today the world’s largest public art event.

Bucharest was chosen from over 500 other candidate cities and has waited for the event for a couple of years. The new local government in Bucharest wants to relaunch the city’s image as a creative and colourful metropolis and have therefore enthusiastically supported the exhibition. The high-profile event is expected to boost the image of Bucharest worldwide, especially in the artistic scene.

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<div class=Christchurch can host 2011 Rugby World Cup final
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Christchurch can host 2011 Rugby World Cup final

Tuesday, November 14, 2006

Christchurch, New Zealand‘s Jade stadium says they can host the 2011 Rugby World Cup final if Auckland can’t make a decision on whether or not they should build a new stadium on the waterfront or upgrade Auckland’s current stadium, Eden Park, costing NZ$500 million and $385 million respectively.

Jade Stadium would be able to host the final if they were to include temporary seating to accommodate 60,000 people, required by the International Rugby Board (IRB).

Gary Moore, mayor of Christchurch, said that if they were selected to host the final then they will ask the government for $80 million. The stadium is already planning for an upgrade, worth $60 million but that money will be funded from private and charitable organisations as well as the local and central governments. The current upgrade will see Jade stadium’s seating capacity grow to 43,000 and if they host a quarter-final or semi-final then temporary seating will increase the seats to 55,000.

Trevor Mallard, the Minister of Sport, said that the Auckland City Council and the Auckland Regional Council have both been given about two weeks to tell the government which decision it supports. If they cannot come to a decision then the final will most likely be given to Jade stadium, Christchurch. The least likeliest of all decisions, an upgrade of Carlaw park, but that is designated for a retirement home and on private land.

Mr Moore said that he and “stadium officials had offered Jade Stadium as a back-up final venue at a recent informal meeting with Mallard because of the continuing Auckland divisions over a site. This is about New Zealand Inc, not about Christchurch versus Auckland. What we have said to Trevor Mallard is we are able to put a stadium into Christchurch that would accommodate the numbers they would need as an insurance policy if Auckland cannot get its act together. The Government knows that when Christchurch or Canterbury puts its hand up it delivers with excellence.”

Bryan Pearson, chief executive of Vbase, the company which manages Jade Stadium, said: “It was not uncommon for major sporting venues to add temporary seating for big events. London had included temporary seating for some stadiums as part of its successful Olympic hosting bid. It was not a low-rent option, and was a commercially prudent way to marry short-term opportunity with long-term legacy.”

Mr Pearson hopes that Jade Stadium will not be used for the final as he understands why the government wants a national stadium, “Let’s hope this gets sorted and we can focus our attentions on playing a very major supporting role. We are only a third the size of Auckland, so what we can sustain post-World Cup is nowhere near what Auckland can.”

Warwick Taylor, former All Black, said it will be great if Christchurch can host the final even though he played in the 1987 final at Eden Park. Though Mr Taylor does say that an Auckland stadium is a better idea as a 60,000 seat stadium is more viable in such a large population city. Mr Taylor said that he “had great memories playing at Eden Park and in some ways would hate to see it lose the final. But I also like the idea of a national stadium.”

The New Zealand Rugby Union said that a waterfront stadium and an upgrade of Eden Park are the only two options being considered, and no other stadiums are being considered.

A lot of people are confirming that Christchurch will be able to cope with the huge amount of visitors that would arrive for the final as Christchurch has the highest per capita amount of restaurants and bars in Australasia. The city also features numerous hotels.

If New Zealand cannot deliver a final in a 60,000 seat World Class stadium then the IRB will allocated the final to another country.

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<div class=Category:Education
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Category:Education

This is the category for Education. See also the Education Portal.

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<div class=US F-18 fighter jet crashes in San Diego residential area
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US F-18 fighter jet crashes in San Diego residential area

Monday, December 8, 2008

According to the Associated Press, a United States Navy F-18 fighter jet has crashed into a house in a residential area in San Diego, California, near University City High School. The crash occurred around 12:00 p.m. (Pacific Time) as the plane was preparing for landing at the Marine Corps Air Station Miramar.

Reports say that the pilot was able to eject from the plane before it crashed and is believed to have suffered only minor injuries. At least three people on the ground were killed, and one person is missing.

Eye witness Joe Kreischer told the LA Times, “It was chugging along with what seemed like one engine. Then I heard a roar of engine and all of a sudden, woop, dead silence.”Two houses burned down as a result of the crash.

Authorities and military officials are investigating the cause of the crash.

The four dead family members are known to have been Korean Methodists. Only the father Dong Yun Yoon was not in the house when it was destroyed.

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<div class=Billy West, voice of Ren and Stimpy, Futurama, on the rough start that shaped his life
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Billy West, voice of Ren and Stimpy, Futurama, on the rough start that shaped his life

This article mentions the Wikimedia Foundation, one of its projects, or people related to it. Wikinews is a project of the Wikimedia Foundation.

Wednesday, February 13, 2008

Ren and Stimpy. Bugs Bunny. Philip J. Fry and Professor Hubert Farnsworth on Futurama. Sparx. Bi-Polar Bear. Popeye the Sailor Man. Woody Woodpecker. You may not think you have ever heard Billy West, but chances are on a television program, a movie, a commercial, or as Howard Stern’s voice guru in the 1990’s, you have heard him. West’s talent for creating personalities by twisting his voice has made him one of a handful of voice actors—Hank Azaria and the late Mel Blanc come to mind—who have achieved celebrity for their talent. Indeed, West is one of the few voice actors who can impersonate Blanc in his prime, including characterizations of Bugs Bunny, Daffy Duck, Elmer Fudd and other characters from Warner Bros. cartoons.

What is the fulcrum in Mr. West’s life that led him to realize a talent to shape personalities with his voice, and how did the discovery of that gift shape him? Wikinews reporter David Shankbone found that like many great comedians, West faced more sour early in life than he did sweet. The sour came from a physically and emotionally abusive alcoholic father (“I could tell you the kind of night I was going to have from the sound of the key in the door or the way the car pulled up.”), to his own problems with drug and alcohol use (“There is a point that you can reach in your life where you don’t want to live, but you haven’t made the decision to die.”).

I’m telling you stuff that I never said to anybody…

If sin, suffering and redemption feel like the stages of an endless cycle of American existence, West’s own redemption from his brutalized childhood is what helped shape his gift. He performed little bits to cheer up his cowed mother, ravaged by the fact she could not stop her husband’s abuse of young West. “I was the whipping boy and she would just be reduced to tears a lot of times, and I would come in and say stuff, and I would put out little bits just to pull her out of it.”

But West has also enjoyed the sweet. His career blossomed as his talent for creating entire histories behind fictional characters and creatures simply by exploring nuance in his voice landed him at the top of his craft. You may never again be able to forget that behind the voice of your favorite character, there is often an extraordinary life.

Below is David Shankbone’s interview with renowned voice actor Billy West, who for the first time publicly talks about the horrors he faced in his childhood; his misguided search for answers in anger, drugs and alcohol; and the peace he has achieved as one of America’s most recognizable voice actors.

Contents

  • 1 The use of celebrities for voiceovers
  • 2 Iconic characters and choosing projects
  • 3 Discovering his talent
  • 4 “It was a horror chamber where I grew up”
  • 5 West moves to Boston after his parents divorce
  • 6 How West dealt with his father’s abuse
  • 7 Rehabilitation and sobriety
  • 8 Is West glad he experienced addiction?
  • 9 West on his career
  • 10 West on politics
  • 11 Billy West on modern American society
  • 12 Billy West on telling it like it is
  • 13 Source
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Better Return On Investment With Rpo Services

Better Return On Investment With Rpo Services

Better return on investment with RPO services

by

Headfield

It is a blend of hiring capability, productivity, and work quality that determines the success of any particular company no matter what the industry segment is. Hiring does matter the most because if the right professionals are recruited, fast success of the company is ascertained. Today, recruitment is a challenge in itself for companies; thanks to the emergence of RPO service providers. RPO or recruitment process outsourcing is gaining fast momentum in the corporate world. RPO experts spectacularly improve a company s hiring capability, thus significantly reducing the overall cost incurred for the recruitment process, and directly enhancing the company s growth.

When we speak about RPO service providers, there can be numerous names in the market. What matters is high service quality. Go for the RPO company that offers your organization the perfect assimilation of professionals, processes, and proven techniques. The services provided should be customized to guarantee extraordinary results, i.e. talent that rightly matches your company requirements, talent that can bring a marked change to your organization.

[youtube]http://www.youtube.com/watch?v=lsORXbDEawg[/youtube]

Why get involved in hassles of recruiting the right professionals in any of your chosen segment when RPO service providers are there to provide a solution. You not only get the best talent recruited but also save on the overall cost. The committed RPO company will follow a scientific and proactive approach, understanding your exact requirements and accordingly meeting it. Shake off the burden of recruitment from your back.

Many organizations across the country and the world spend bulk time sorting through resumes in their inbox or finding the right candidates. There is no assurance of getting the right talent recruited even after devoting maximum time and efforts. Seeking service from RPO service providers in this regard will only help save time and increase productivity levels. This is the reason why organizations are increasingly seeking RPO services. RPO service providers let you stay ahead and stay competitive in a scenario where stiff competition prevails and in a scenario where Darwin s theory of survival of the fittest holds sway.

Once, as an organization, you entitle the recruitment of talent task to one of the top RPO service providers, you can concentrate on your core competency areas while the RPO team works behind the scene to achieve your recruitment goals. Your concentration on management and leadership and other areas will let you successfully achieve your business objectives and goals. Get RPO services; better return on investment is assured.

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Article Source:

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Reasons To Choose The Best Non Surgical Fat Removal Procedures In Chicago

Reasons To Choose The Best Non Surgical Fat Removal Procedures In Chicago

byAlma Abell

Do you have areas of unwanted fatty deposits on your body that exercise just won’t remove? Many men and women find that, even with proper diet and exercise routines, they still have that tummy pooch or extra flab on the thighs. In the past, localized fats couldn’t be gotten rid of easily and required surgery to handle. For example, liposuction has been around for many years because it works, can be permanent and is safe. However, it is still surgery and can lead to unpleasant side effects, which brought doctors to consider the best non-surgical fat removal option in Chicago.

How It Works

UltraShape is unlike any other non-surgical treatment to remove fat. The machine used will emit acoustic and ultrasonic energy that will target subcutaneous fatty deposits in the skin. It is not like other traditional ultrasound options because it transmits as pulses, which can allow better control of temperatures and can allow the fats to be destroyed instantly, mechanically and selectively.

[youtube]http://www.youtube.com/watch?v=rqNnmC09eUU[/youtube]

Non-Invasive

The best removal procedure in Chicago is one that is non-invasive. Most people don’t want to go into surgery for any reason, let alone a cosmetic one. Therefore, if you’ve steered clear of liposuction and other methods, you may still find hope. Many of the treatments are gentler and have little or no discomfort involved. You can usually go back to work or run errands without a lot of downtime, either.

Results

While it does take a little longer to see results from these procedures, you’ll love the transformation when it does occur. No process is instantaneous, at least when removing fatty deposits, so it may not matter that UltraShape doesn’t provide instant results, either.

However, it is also important to understand that these procedures aren’t meant for weight loss. If you need to lose weight for medical reasons, you should follow a carefully planned diet and exercise routine to lose the unwanted weight. Afterward, you can consider UltraShape treatments to spot-reduce. You should also know that results can be permanent or very long-lasting, as long as you continue with a healthy diet and exercise routine.

Downtime

There is no extended healing time required when considering UltraShape and other options though you may notice some swelling and soreness, which is normal. However, you should listen to your doctor’s recommendations at all times. He or she may request that you take a few days off work or wait to return to normal activities.

The best non-surgical fat removal option in Chicago is UltraShape. Visit The Michael Horn Center for Cosmetic Surgery to learn more.The Michael Horn Center for Cosmetic Surgery

<div class=CEO of GM outlines plan for “New GM” after auto company declared bankruptcy
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CEO of GM outlines plan for “New GM” after auto company declared bankruptcy

Thursday, June 4, 2009

In a New York press conference at 16:15 UTC, June 1st, Fritz Henderson, the Chief Executive Officer of General Motors, which filed for bankruptcy and Chapter 11 protection from its creditors earlier today, outlined a plan for what he called a “New GM”.

Speaking to the press under safe harbor provisions of U.S. law, Henderson described the events of today as a “defining moment” in the history of General Motors. Speaking to the public he said that “The GM that let you down is history,” and described a “New GM” that he expected to result from the bankruptcy process.

Henderson stated that he envisioned the bankruptcy process would take between 60 and 90 days. He stressed several times his view that the process would be one that is executed quickly, saying that not just a sense of urgency but “pure unadulterated speed” was his expectation of the process. He emphasized that “GM remains open for business” during the bankruptcy period, continuing to sell and to support its products, and that day one motions had been filed in the bankruptcy court in order to allow this.

Regarding the bankruptcy process he said, “We will do it right. And we will do it once.”

He stated that the plan for General Motors had the support of the United Auto Workers union, the Canadian Auto Workers union, the GM VEBA, and a majority of the unsecured bondholders of GM. He also mentioned that GM had already received €1.5 million in bridge financing from the German government.

In response to questions about the possibility of the United States federal government, a majority shareholder in the restructured company, dictating future product development and strategy, such as the sale of more fuel-efficient and green vehicles; he first observed that the federal government had already stated to him that it had “no real interest in running our business” and that he expected that still to be his job. Of the specific hypothetical scenario where the management of GM wants to make one type of car, because it thinks that it is the right thing for the business, and the U.S. government wants to make another type of car, he stated that “I don’t think it’s going to happen.” Expanding on that point he stated that he expected the “New GM” to focus upon “highly fuel-efficient and green technology”, and that operating both in accordance with U.S. environmental laws and in response to customer demand would naturally result in the New GM producing the types of vehicles that the U.S. government would encourage.

The “New GM” he also expected to focus on “four core brands”, and will size its dealership to match that. He stated that GM would offer a “deferred termination” package to dealers, to allow them to cease dealing in GM vehicles in a managed and gradual way.

He stated that the bankruptcy filings did not cover General Motors’ businesses in Latin America, Europe and the Middle East, and Asia and the Pacific. Of GM’s profitable ventures in China, specifically, he stated that they were “a critical part of the New GM”. In response to questions of whether the New GM would import cars from China to the U.S., he stated the formative company’s core principle that “We build where we sell” applied in both directions, with GM building in China to sell in China and building in the U.S. to sell in the U.S., stating that this shortened supply chains.

He declined to predict when the New GM would return to profitability, stating that the goal was rather to lower the break-even EBIT point for the company. He also declined to speculate upon when the U.S. government would sell its stake in the company, saying that that was a question “better addressed to the U.S. Treasury”, and merely saying that he expected it to be “years, not months” when the U.S. Treasury felt it would give “the right return for taxpayers.”

Posted in Uncategorized
<div class=Alex Necochea and Bryn Bennett: the ‘Guitar Heroes’ of Bang Camaro
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Alex Necochea and Bryn Bennett: the ‘Guitar Heroes’ of Bang Camaro

Monday, October 8, 2007

When a fan connects with a band, it’s often during moments like a drive down a highway at night reflecting on some aspect of his or her life; sitting at home after a fight with a girlfriend; singing in the shower; or celebrating at a party with her friends. Music becomes a soundtrack to an individual’s life, and a connection with the musician forms when the listener is able to peg a perfect moment or feeling to a song. Boston-based mega-member rock group Bang Camaro‘s fan base claims a different level of interaction: they often have learned to play their music before they ever had a moment associated with it. Bang Camaro found fame on the video game Guitar Hero II, where an aspiring rock god uses a guitar-shaped peripheral to play rock music as notes scroll towards him on the screen.

Wikinews reporter David Shankbone journeyed to the Bowery Ballroom to talk to the two founding members of Bang Camaro, Alex Necochea and Bryn Bennett. But when MTV.com shows up at the same time as Wikinews to do an interview, the band must split up. Below is our conversation with Necochea about touring, influence, politics, throwing his corpse out of a plane and flatulent women.


David Shankbone: How’s the tour going?

Alex Necochea: The tours is going great! We just played in Poughkeepsie last night with the OCC house band.

DS: Poughkeepsie, huh?

AN: Yeah! [Laughs] Poughkeepsie, it’s kind of a dark town. Not much of a built-in crowd there.

DS: What kind of crowd is there?

AN: From what I could tell, we played for a lot of Guitar Hero fans and people who heard about us through friends of friends, or came across us on MySpace. That sort of thing. But for the most part a lot of the kids we meet are anywhere between…well, I guess at a club like that they have to be over 18, but usually they are just much younger kids who are video game fans, who have heard about us through Guitar Hero II.

DS: What’s that like to have a fan base that comes from primarily video games? Have you noticed a difference between being known as a local band playing in your city and being known through video games? How would you compare the audience?

AN: It’s different. In our hometown it started off as just a big word of mouth thing. We had twenty guys in the band, so everybody had friends-of-friends. We started a groundswell that way. But when we get out of town, not in New York so much, but when we go to Chicago and Milwaukee and places like that they generally tend to be much younger people. It’s a really big thrill for Bryn and I in that we are meeting kids who are just like us: young video game fans, aspiring musicians, usually males who picked up guitars. They come to us and say, ‘Nobody plays guitar anymore like you guys do!’ or ‘My parents used to listen to music like that!’ It’s just a big thrill for us to meet young kids like that who remind us of ourselves when we were kids.

DS: How does it feel to be looked-up to by the kids, by America’s future?

AN: [Laughs] It’s terrifying! [Laughs]

DS: Do you see parents at the show?

AN: Oh, yeah, oh yeah. Parents with their kids—

DS: That must reduce the crotch grabbing.

AN: [Laughs] Yeah, a little bit of macho posturing. I tell you man, it’s a really big thrill, just to go out and play in towns we’ve never been to. Kids come out and they know all the songs. We’ve had situations where we’ve played New York and girls are in the front row singing along to our guitar solos. Like, wow…we’re on stage playing and we can hear them singing back at us. Something else Bryn and I have noticed is at larger festival shows when we get to the end of our shows we play Push Push Lady Lightning, the kids would just light up and start air guitaring! But not actually playing air guitar, but playing air guitar hero–like, they knew where all the notes were!

DS: Which is a lot different for audiences of many bands.

AN: Absolutely! I can’t imagine other bands having the same experience, because we come from such a unique perspective that a large part of our music is driven by the instrumentals, and that sort of thing.

DS: Your fans are so engaged with your music, far more than most bands have. Most bands they have fans who feel their music speaks to them, but your fans can say, ‘I learned to play guitar on your shit and not on Eleanor Rigby!’

AN: It’s an honor. It’s still unbelievable to me. I had a message from a friend of mine who was at Guitar Center and he heard one of the kids cranking out one of our songs when he was trying out the guitar. To me, it’s like we made it.

DS: At this point of your career, you’re not playing stadiums, but you’re also not playing Otto’s Tiki Lounge on a Tuesday night. When you reflect upon it, what do you think about?

AN: In the past two years, since Bryn and I started this project, we’ve both been playing in bands locally in Boston for years. We had some mixed success, we played large venues in and around Boston. We got to the point where we said fuck it, we just want to have some fun and we’d laugh a lot going over old Ozzy Osbourne stuff we listened to as kids, just giggle about it. Bang Camaro started that way, something for us to do and invite our friends to come sing on it. Now, just two years later, it’s amazing what happens when you stop trying. It’s something not contrived or born of any desire to reach an audience. We just did it for fun, and that spoke to people more than anything else we worked on.

DS: Do you have other areas of your life where you’ve been able to apply that?

AN: [Laughs] You mean as an ethos? Don’t try? [Laughs] You know, not really. I have found the greatest success in the things I have put most of my effort into. This band has been a complete unique experience in that respect, at least in terms of trying to forge a ‘career in music.’ Bryn and I had gotten to the point where we thought maybe this wasn’t the way to go. Bryn was going to go back to his career as a video game programmer and I was just going to find something else to do. So not really, I don’t really apply that in any other portion of my life.

DS: What are some dream projects you’d like to work on?

AN: As a musician, obviously for me it would be to meet and work with some heroes of mine since I was a kid. Like Mutt Lang; he always made my favorite records. At the same time, it has also been a dream of mine to meet people like Mark Linkous of Sparklehorse. Those guys made honest sort of rock n’ roll, for lack of a better comparison, the way people like John Lennon or Bob Dylan would. To me those are the artists of my generation. It would be my dream one just to meet those guys and two just to work with them on some level. I’d also be lying to say that it would just be my dream to take this project with twenty of my best friends and take it as far as we can take it. So far in my life it’s been the most rewarding thing.

DS: In the creative process it’s so difficult to be original today. Everything has been done. Do you ever let that trip you up, the Simpsons Did It problem?

AN: No, not really. I found I would end up falling into that cycle playing in indie rock bands, just trying to come up with the next thing, like Radiohead they stopped using guitars and things like that. Trying to kick the ball forward a little bit instead of kicking it side to side. With this band we don’t get hung up on that. We originally just started it as a celebration of the things we loved when we were kids. We’re not out here trying to reinvent the wheel. We’re fortunate in that when we were putting the project together we wanted that big vocal sound. What set us apart was how we went about doing that. We just invited all of our friends because we didn’t want to multi track everything ourselves. Soon after we had to figure out how to pull it off live, and people would approach and say ‘we heard you have this crazy project with all these people.’ The project grew into the live monster it is out of necessity. We’re not rich people, we don’t have refrigerators and the big tour bus. Speaking of dreams, maybe one day we’ll have a tour bus. For now, we travel in two very smelly vans.

DS: If you could choose your own death, how would you die?

AN: [Laughs] I would want to steal what I heard a mutual friend of ours said. He said when he died–it’s not how he died, but this is what I heard–he said when he’s dead, he wants his corpse to be dressed up like Superman and thrown out of an airplane. I thought that would be fitting. But I’m not ready to think about death, not just yet.

DS: You guys have been described as Metal and Glam rock. What would you describe your sound as?

AN: I would call us anthem rock. We’re really not heavy metal. I think our focus is more on writing great singles, as best as we can make them. Pop music. That’s just something Bryn and I grew up on. We’re big fans of melody and big driving hooks, that sort of thing.

DS: Would you say anthem rock more in the Mötley Crüe vane or more in the T. Rex vane?

AN: I would say half and half. Our influences don’t just stop with hair metal and things like that. We draw on things like Thin Lizzy, Boston, bands like that. Not necessarily virtuosic sort of musicianship, but things that are put together. We like to spend the time when we are writing our songs that we are taking all the extraneous crap out of it. We just want to make good, hook-drive pop music.

DS: Does the war in Iraq affect you artistically at all?

AN: [Laughs] No, not at all. No, you could say I’m just like everybody else. I read the paper and blogs, and I’m just as horrified as everybody else. I’m definitely not a fan of this war.

DS: If you had to fight in Iraq or Afghanistan, where would you fight?

AN: Oh, the fight was definitely in Afghanistan. Iraq was a much different animal.

DS: Are you more inspired by things in nature or things that are man made?

AN: I would probably have to go with nature. I’m a student of science. I have a degree in environmental geology. When I was 19/20 years old I went through all the regular existential questions people that age go through: why am I here and my place in the universe, that sort of thing.

DS: Did you answer any of them?

AN: Oh, God! I play rock guitar in a twenty man band!

DS: That’s important for a lot of people – you see your audience. You’re giving a lot of inspiration to a lot of people. You don’t know who you might be inspiring to pursue music.

AN: [Laughs] Oh, kids, don’t be like me! I would definitely go with nature over man made.

DS: What’s your favorite curse word?

AN: Fuck.

DS: What’s your favorite euphemism for breasts?

AN: Big guns.

DS: Have you used that recently?

AN: Actually, I think I did use that in the last week, and no comment.

DS: I read that you named the band after fast women and fast cars.

AN: [Laughs] Who told you that? No, Bang Camaro were two words out of the English language that were the two sexiest words we could think of. We put them together and they roll off the tongue. Bang Camaro. It says a lot more than it means.

DS: What sort of qualities do you look for in a woman?

AN: I need a girl who is going to make me laugh. I need a woman who is smarter than I am. A woman who will always keep me guessing. Absolutely. Calling me out for my own jerky bullshit. I like a girl who is fiercely independent, knows what she wants, and doesn’t need me.

DS: Hillary Clinton or Barack Obama?

AN: Oh, man, I’m going to get in a lot of trouble for saying Obama. I would probably go with Obama. There’s just something in his rhetoric and his oratory that is a lot more inspiring than Hillary. Hillary, to me, represents not much of a changing of the guard.

DS: What would be the greatest of misfortunes to befall you?

AN: [Chuckles] Oh, if I were to die alone. No, probably one of my greatest fears is injuring or maiming any of my appendages, to be honest.

DS: Do you have any special things you do to make sure you don’t injure or lose an appendage?

AN: [Chuckles] I don’t keep my hands in my pockets when I am running down stairs.

DS: That’s a conscious choice?

AN: Yes, that’s a conscious choice.

DS: What if you are just walking down stairs?

AN: [Chuckles] You can’t realign the stars, man. Shit will happen, shit will happen.

DS: What possession do you treasure most?

AN: That’s a good question. Probably my cat. I love my cat more than anything.

DS: What’s your cat’s name?

AN: Sadie.

DS: Like Sexy Sadie?

AN: Yeah, like Sexy Sadie. That’s exactly what I named her after. Big John Lennon fan, so I couldn’t resist.

DS: What trait do you deplore most in other people?

AN: I’m a lover, not a fighter. Jealousy, greed. But I try to look for the best in everybody. Who knows.

DS: What do you think are the greatest threats to humanity?

AN: Humanity itself. You can typically read anywhere that humanity is a virus, a plague, on Mother Earth. I really think the greatest threat to humanity is not a meteor or comet hurtling toward the planet, it’s us. We’ll be our own undoing. Bad politics, the spread of…oh, man, I could get in trouble…

DS: Who would you get in trouble with?

AN: No, I don’t know who I could get in trouble with. But I definitely think that capitalism is something that having gone unchecked for so long isn’t doing right in delivering civil freedom. It’s not delivering on its promises. Then again, I play in a rock band and people come pay to see me. I understand it works on both levels.

DS: What would be a bigger turn-off in bed: a woman who spoke in a baby voice, or someone who was overly flatulent?

AN: Oh God! I’d go with the baby talk, man.

DS: You’d prefer the baby talk?

AN: No, I would go with the flatulent woman. At least she’s real.

DS: Have you ever been faced with either scenario?

AN: No, I don’t think women should be flatulent.

DS: At all? Not even if she lets out a little giggle afterwards?

AN: Yeah, well, so be it.

DS: What if she was really flatulent?

AN: Like, extremely flatulent? I’d go more for the flatulence. Baby talk…that’s a real boner killer. Sorry, man.

DS: And you’ve never had a baby talker?

AN: No, not since high school.

DS: In high school?

AN: Oh, yeah. She had to go.

DS: What if she was Dutch oven flatulent?

AN: Is it really one or the other? Can I just go gay?

DS: You can always go gay. It’s the new millennium.

AN: Yeah, well, I’d probably end up with a baby-talking overly flatulent man, I’m sure.
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Public consultation on Avonmouth Wind Farm proposal ends

Friday, April 11, 2008

The public consultation into the proposed wind farm in Avonmouth, Bristol, United Kingdom closed today. According to a video released by Bristol City Council the proposal was for two wind turbines to be produced to “help power local public services” and “reduce the council’s carbon footprint.”

The Energy Director of the Bristol City Council claimed in the promotional video that not reducing the carbon footprint would be a “failure in our [the council’s] duty to tackle climate change.” He also said that the council would face fines from the European Union if the targets to reduce greenhouse gas emissions are not met. In addition to this it was also claimed in the video that the amount of electricity used by the council needs to be reduced as they currently spend five million pounds per year for electricity. He finished by saying that one way the council can cut their greenhouse emissions is by producing their own “green electricity.”

Councillor Mark Bradshaw of the Bristol City Council was also featured in the video. He explained the proposals by saying that “we [the council] propose to build two wind farms on a former industrial site.”

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